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In this daylong symposium, a group of international experts and scholars of nineteenth-century art gathered to discuss Courbet's landscape oeuvre and debate his contribution to the history of modern painting, in conjunction with the exhibition Courbet and the Modern Landscape. The preface by Mary Morton and five papers presented here comprise the J. Paul Getty Museum's first online-only publication.

Landscapes in art. --- Modernism (Art) --- Courbet, Gustave,

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Avant-Garde and Criticism sheds new light on the complex aims, functions, practices and contexts of art-criticism in relation to the European avant-garde. Although many avant-garde works and the avant-gardes of various countries have been analyzed, considerably less attention has been given to the reviews in newspapers and journals on avant-garde literature, art, architecture and film. This volume of Avant-Garde Critical Studies will look at how art critics operated in a strategic way. The strategies of avant-garde criticism are diverse. Art critics, especially when they are artists themselves, attempt to manipulate the cultural climate in their favour. They use their position to legitimize avant-garde concepts and to conquer a place in the cultural field. But they are also markedly influenced by the context in which they operate. The position of fellow-critics and the ideological bias of the papers in which they publish can be as important as the political climate in which their criticism flourishes. The analysis of avant-garde art criticism can also make clear how strategies sometimes fail and involuntarily display non-avant-garde characteristics. On the other hand traditionalist criticism on the avant-garde offers new insights into its status and reception in a given time and place. This volume is of interest for scholars, teachers and students who are interested in the avant-garde of the interbellum-period and work in the field of literature, art, film and architecture.

Avant-garde (Aesthetics) --- Arts, European --- Art criticism --- Aesthetics --- Modernism (Art) --- History

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This richly illustrated volume explores the contested history of art and nationalism in colonial India during the period 1922-47. The author shows that modernist Western art, which was rebelling against the Western academic tradition, had a strong influence on Indian art made during this period.

Art, Indic --- Modernism (Art) --- Nationalism and art --- Avant-garde (Aesthetics) --- European influences. --- History --- Modernisme --- Colonialisme --- Histoire de l'art --- Avant-garde --- 20e siècle --- Inde --- Mouvement moderne

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English literature --- English literature --- Modernism (Art) --- Modernism (Literature) --- Irish authors --- History and criticism --- History and criticism --- Ireland --- Ireland --- Civilization --- Intellectual life

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82 "19" --- Literatuur. Algemene literatuurwetenschap--20e eeuw. Periode 1900-1999 --- Civilization, Modern --- English literature --- Modernism (Aesthetics) --- Modernism (Art) --- Modernism (Literature) --- Philosophy. --- History and criticism. --- 82 "19" Literatuur. Algemene literatuurwetenschap--20e eeuw. Periode 1900-1999 --- Modernism (Aesthetics). --- Modernism (Art). --- Modernism (Literature). --- History and criticism --- Aesthetics --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Philosophy